How did pieter claesz die
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Pieter Claesz, also called Pieter Claesz of Harlem (Pieter Claesz / Pieter Claesz van Haarlem; 1596 or 1597, Burham, Belgium - January 1, 1661, Harlem, the Netherlands) - one of the most important masters of the still life of the Golden Age of Holland, who achieved amazing simplicity and spectacular atmosphere in his works.
Features creativity Peter Klas. The artist devoted much of his career to still lifes with a limited set of objects that are made in muted colors. Nevertheless, he had the unique ability to bring diversity to his paintings with the help of subtle nuances in compositions, selection and arrangement of objects, transmission of light effects, reflections and textures.
One of the favorite scenes of Peter Claes was the "morning meal" - an image of a modest breakfast set on the corner of the table. With the help of the simplest means, he turned an everyday, one-type, familiar, “tin plate with herring” into a significant scene, radiating beauty. Him"Still life with a burning candle" (1627) and“Breakfast with ham” (1647) demonstrate subtle variations of related monoc
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Pieter Claesz
Dutch painter
Pieter Claesz | |
|---|---|
Vanitas with Violin and Glass Ball (detail); the artist is visible in the reflection, 1625 | |
| Born | Pieter Claesz 1597 Berchem |
| Died | 1660 (aged 62–63) Haarlem |
| Nationality | Brabantian |
| Known for | Painting |
| Movement | Baroque |
Pieter Claesz (c. 1597 – 1 January 1660) was a Dutch Golden Age painter of still lifes.
Biography
He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1).[1] He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Claesz generally chose objects of a more hospitable kind than Heda, although his later work became more colourful and decorative. Claesz's still lifes often suggest a
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Pieter Claesz Biography | Oil Paintings
Born in Haarlem in the Netherlands in 1597, Pieter Claesz grew up in the town which was the center of the Dutch flower trade, so it was not surprising that he developed an early interest in floral painting.
He grew up at a time when this style was being introduced to Holland by Flemish refugees, Ambrosius Bosschaert the Elder and Balthasar van der Aalst. Pieter Claesz went on to develop the type of still life known as the breakfast or banquet picture, much less ebullient than the colorful flower paintings with more somber tones suited to the intimate atmosphere of domestic interiors. In 1621 he came to Haarlem, a prospering city with a wealthy middle class striving for art. This year begins the series of his dated and signed works, which show a stylistic development altogether, but his subjects are limited to banketje, the theme of the covered table.
Pieter Claesz developed the Banquet Still Life.
His image constructions, which were regarded as novel, made him one of the most innovative still-life painters. His artistic success w
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