Ceesepe abraham

Abraham van Diepenbeeck (1596-1675) Sketch for the etching pax Ceesepe (1958 - 2018) 1980.
Angel Mateo Charris (Born 1962) is active/lives in Spain.
The artists chosen to show their work are Eloy Morales, Abraham Calero, Carlos (Ceesepe) Sánchez Pérez, Isabel Ramoneda, Juan Escauriaza and Mario Pavez.

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The cinema of Pedro Almodóvar 9781526151025

Table of contents :
Front Matter
Dedication
Contents
List of figures
Acknowledgements
Introduction: All about Almodóvar, or how to become a Spanish auteur
The early films: Pepi, Luci, Bom y otras chicas del montón and Laberinto de pasiones
Kicking the habit: Entre tinieblas
High windows and ugly aesthetics: ¿Qué he hecho yo para merecer esto?
Faking Spain: Matador
Other voices, other stories: La ley del deseo
Pure theatre: Mujeres al borde de un ataque de nervios
On the verge of a genre breakdown: ¡Átame!, Tacones lejanos, and Kika
The end of romance: La flor de mi secreto
Circle lines and memory work: Carne trémula
Remembering children: Todo sobre mi madre
Still lives: Hable con ella
Faking memory: La mala educación
Motherlands: Volver
Archaeology in the dark: Los abrazos rotos
Visual seduction: La piel que habito
‘Crisis cinema’: Los amantes pasajeros and Julieta
Afterword: Dolor y gloria
Filmography
References
Index

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Art Madrid'25 – THE MADRID GALLERIES OF ART MADRID 17

PARALLEL PROGRAM CITY TERRITORY. ART MADRID'25

VIDEO CYCLE: CARTOGRAPHIES OF PERCEPTION

In its 20th edition, Art Madrid dedicates its Parallel Program to the exploration of the relationship between man, architecture, city and landscape. Under the title Cartographies of Perception, this section, curated by PROYECTOR's Moving Image platform, presents a selection of international video art works that address these interactions from a contemporary and critical perspective. PROYECTOR, a reference platform for the moving image, invites us to participate in an experience in which time, space and perception converge on the screen.

The collection presented this year proposes a reflection on the relationship between man and his environment, on the boundaries between the real and the imaginary, and on the tensions between the natural and the constructed. As quoted by the critic John Berger: "Art is a way of seeing, a constant discovery". The selected works are not only vehicles of plastic beauty, but