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Continental Resources ees ae ci Me Continental Resources Sdn Bhd (CRSB) was founded in 1988 .Malaysia. After years of tireless and unrelenting effort the company has established itself as one of the leading manufacturers of edible oils. In 2014, CRSB became a wholly owned subsidiary of C. |. Holdings Berhad, a company listed on the Main Board of the Malaysian Stock Exchange (Bursa Malaysia). CRSB is cornmitted to ensure quality, reliabi
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Paintings in the Collection

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Still Life with a Crab

1654
17th C.
Europe, the Netherlands
52 3/8 x 49 1/2 in. (133 x 125.8 cm) (frame)

By (primary)
Abraham van Beyeren Dutch, 1620/1621–1690

Credit Line: Gift of H. Anton and Carolyn Tucher
Accession Number: 1998.312
Currently On View: 213 Europe & U.S.A. 19th C.
Sedelmeyer Gallery, Paris, #1 in 1894 catalogue; purchased by grandfather of H. Anton Tucher, Nuremburg, Germany; by inheritance to H. Anton Tucher, Palo Alto, California
"literature: I. Bergstrom & B. Rapp, “Abraham van Beyeren,” Iconographia II, 1957, pp. 7-34;
S. Segal, A Prosperous Past exh. cat. Kimball Art Museum, Fort Worth; Extrait de la Gazette des Beaux-Arts, March 1999, p. 97; Journal of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, I, 1998–1999, repr. p. 68; Silent Things, Secret Things: Still Life From Rembrandt to the Millennium, Albuquerque: The Albuquerque Museum, 1999, p. 171, no. 74 (repr.)"
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Still Life with Lobster and Fruit

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Title:Still Life with Lobster and Fruit

Artist:Abraham van Beyeren (Dutch, The Hague 1620/21–1690 Overschie)

Date:probably early 1650s

Medium:Oil on wood

Dimensions:38 x 31 in. (96.5 x 78.7 cm)

Classification:Paintings

Credit Line:Gift of Edith Neuman de Végvár, in honor of her husband, Charles Neuman de Végvár, 1971

Object Number:1971.254

Probably dating from the early 1650s, this panel was painted quite thinly and freely, with an understated palette that has lost some color with age. Blue tones in particular have diminished; the table cover was most likely a stronger purple, and the Chinese cup was originally blue and white. Thinning of the paint with age has caused some loss of form.

Van Beyeren was mostly active in his native city of The Hague but he lived in nearby Delft from 1657 to 1663 and in Amsterdam from 1669 to 1674. He was obviously familiar with still life painting in several art centers. This composition may be characterized as

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