Giotto meaning
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Giotto Di Bondone Biography In Details
Early years
Giotto was probably born in a hilltop farmhouse, perhaps at Colle di Romagnano or Romignano; since 1850 a tower house in nearby Colle Vespignano, a hamlet 35 kilometres north of Florence, has borne a plaque claiming the honour of his birthplace, an assertion commercially publicised. He was the son of a man named Bondone, described in surviving public records as "a person of good standing". Most authors accept that Giotto was his real name, but it may have been an abbreviation of Ambrogio (Ambrogiotto) or Angelo (Angelotto).
The year of his death is calculated from the fact that Antonio Pucci, the town crier of Florence, wrote a poem in Giotto's honour in which it is stated that he was 70 at the time of his death. However, the word "seventy" fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license.
In his Lives of the Artists, Giorgio Vasari relates that Giotto was a shepherd boy, a merry and intelligent child who was
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Giotto
Italian painter and architect (c. 1267 – 1337)
For other uses, see Giotto (disambiguation).
Giotto di Bondone (Italian:[ˈdʒɔttodibonˈdoːne]; c. 1267[a] – January 8, 1337),[2][3] known mononymously as Giotto[b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period.[7] Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".[8]Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".[9]
Giotto's masterwork is the decoration of the Scrovegni Chapel, in Padua, also known as the Arena Ch
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Biography
Florentine painter and architect. He was already recognized by Dante as the leading artist of his day. His significance to the Renaissance can be gauged from the fact that not only the leaders in the early 15th-century transformation of the arts, such as Masaccio, but the key figures of the High Renaissance, such as Raphael and Michelangelo - one of whose early studies of Giotto's frescoes in the Peruzzi Chapel, Santa Croce, has survived - were still learning from him and partly founding their style on his example. The reasons for this are twofold. Firstly, his art is notable for its clear, grave, simple solutions to the basic problems of the representation of space and of the volume, structure, and solidity of 3-dimensional forms, and above all of the human figure. Secondly, he was a genius at getting to the heart of whatever episode from sacred history he was representing, at cutting it down to its essential, dramatic core, and at finding the compositional means to express its innermost spiritual meaning and its psychological effects in terms of simple areas of pain
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